Jasmine Donahaye considers the personal legacy of the Eisteddfod in Tregaron and its nurturing role for Welsh learners like herself.
Mae the welsh agenda yn gylchgrawn Saesneg sydd yn cael ei hariannu gan Gyngor Llyfrau Cymru. Mae erthyglau’r cylchgrawn yn Saesneg ond mae’r tudalennau am waith y Sefydliad Materion Cymraeg ar gael yn ddwyieithog.
Jasmine Donahaye, the IWA’s writer in residence at the 2022 Eisteddfod, praises the bog of Cors Caron where the event is located.
Rosie Dow calls for a more straightforward approach to funding for arts and health innovation projects that will enable them to flourish.
Marlen Komorowski and Steffan Donnelly present research showing the impact of Covid-19 on Wales’ cultural freelancers, and outline a sustainable way to recovery
Noreen Blanluet talks to Matt Redd (writer) and Ryan Andrew Hooper (director) about their film The Toll (2021) and about the film industry in Wales.
Merlin Gable explores the legacy of Raymond Williams’s radical vision for our society – and asks what we should remember him for.
Polly Winn reviews Rachel Trezise’s ‘Easy Meat’ (Parthian), a day in the life of a typical Valleys boy on 23 June 2016 – when the UK voted to leave the EU.
BAFTA Cymru winner Colin Thomas introduces a new app which explores the rich – but often forgotten – history of Welsh film.
In the second part of their article about resilience and the arts, Sadia Pineda Hameed and Beau W Beakhouse suggest ways the industry can move forward.