Tom Kemp reviews Gwawr Loader’s Y Fenyw Mewn Du, the Welsh language adaptation of Stephen Malatratt and Susan Hill’s classic ghost story, The Woman in Black.
Mae the welsh agenda yn gylchgrawn Saesneg sydd yn cael ei hariannu gan Gyngor Llyfrau Cymru. Mae erthyglau’r cylchgrawn yn Saesneg ond mae’r tudalennau am waith y Sefydliad Materion Cymraeg ar gael yn ddwyieithog.
Wales on Our TV Screens and Beyond: A Homage to Russel T Davies
As Doctor Who returns to our screens, Emily Garside shares her thoughts on the career and cultural significance of Welsh screenwriter, Russell T Davies
Review: Rhinoseros, Theatr Genedlaethol Cymru
Matthaus Bridge reviews Manon Steffan Ros’ Welsh language production of Eugène Ionesco’s Rhinoceros at the Sherman Theatre.
‘Collaboration is the name of the game’: Steffan Donnelly on running Theatr Genedlaethol Cymru
Rebecca Wilson speaks to Steffan Donnelly, Artistic Director of Theatr Genedlaethol Cymru, about his role and what’s next for the company.
Review: Baba Joon, Grand Ambition
Tom Kemp reviews Baba Joon, a one-woman production from Swansea Grand Theatre, showcasing a debut performance from playwright Lisa Zahra.
Review: Tryweryn: A New Dawn?
Adam Somerset examines ‘Tryweryn: A New Dawn?’, Wyn Thomas’ third instalment of books that explore the cultural and political history of Wales.
Review: Housemates, Sherman Theatre
Marine Furet enjoys a new production rooted in Cardiffian history at the Sherman Theatre.
Review: Hugh Mulzac’s Welsh Connections
Andy Bevan delves into two books exploring the history of America’s first Black master mariner, Captain Hugh Mulzac.
On poetry and current affairs: ‘Prigohzin’s Galley Slaves’
Angela Graham, co-author and editor of Sanctuary: There Must Be Somewhere, on writing poetry about fast-developing events